English Projects

The Fjodor Foundation

Projects :

Spiritual science:

I.1. - College activities; Jaspis School for Inner Development, Working with Elemental Beings and Landscape Healing
I.2. - Jaspis schooling courses
I.3. - Education practical Astrosophy; Working with the Life World
I.4. - Improvements to the expenditure of Rune books + translations in English and German
I.5. - Newsletter and communication page

Objective art:

II.1. - Music theatre group LaukaR Unja with the project ‘Once’
II.2. - The choir Via Natura with songs of colour pictures in the atmosphere, the growth of trees and plants
II.3. - Star constellations as ideals; to be developed in sculptures and in the book ‘Ways and Forms of Love’
II.4. - Lyres from the zodiacal star constellation gestures
II.5. - The development of planet dances and mantric texts

Moral techniques:

III.1. - The management collective; coaching, mediation, organisation training
III.2. - The development of rhythmical forging
III.3. - Landscape healing (the E team)
III.4. - Development of an engine which runs on life forces
III.5. - The building Widarhalla

Spiritual science:

I.1. College activities; Jaspis School for Inner Development, Working with Elemental Beings and Landscape Healing

In the 90s a group of young people in Amsterdam which had spiritual interest, is started with organising evenings in which a participant was at issue; the ‘dynamic Tuesday group’. The hard core of this, Ezrah baker, Marcelle Clumpkens, Walter Eckringa, Stephan Geuljans, Marjan Jones, Ebeth van Loon, Iolie van Lunteren, Marco Matthijssen, Arjen Nijeboer, Evelien Nijeboer, Patrick Steensma, where later others have joined themselves, such as Myrtle Esajas, have invited in it people from several spiritual angles who came to tell their ‘thing'. As from 1996 Nicolaas de Jong has joined, and started up artistic schooling projects, such as work with elemental beings, work with the inner world by clay modelling out of sense impressions, lerarning to experience and acknowledge social processes and work out of the development of lotus flowers. This last has taken form in Jaspis schooling courses.
From these occupations the illustrated magazine Bruisvat for culture renewal has been started up, of which the then main point was that people learned formulate their inner pulses and investigations. By means of coaching of each other's articles these came about. An internet site has been made with appeared articles; www.bruisvat.nl, and there is being tried to get several of these articles translated in English, French and German, and to get these also published elsewhere.
As compactions of impulses that lived in the participants, two foundations have arisen; foundation Fjodor, with which initially connected themselves Stephan Geuljans, Robert-Jan Kelder, Nicolaas de Jong, Iolie van Lunteren, Evelien and Arjen Nijeboer and Patrick Steensma. Later have Iolie, Stephan and Robert-Jan withdrawn, and for them in the place came Janna Verveer and Elbert Slikkerveer, and most recently Syne Fonk.
The other compaction happened by the foundation the Orifiël institute for social-organisational questions, with which connected themselves initially Ezrah Bakker, Marco Matthijssen and Arjen Nijeboer, at a later moment also Michiel Klinkhamer and Ebeth van Loon.
These initiatives were organised in a loose/fixed cooperation bond in a sevenfolded manner (see at the social-organisational pulse under ‘About Fjodor’), and Bruisvat acted as a mouthpiece for everybody's initiatives.
At Ezrah Bakker’s place after the stopping of the dynamic Tuesday there have been organized meetings on thematic basis around a participant from the group, where his research area was deepened. That happened generally on four Wednesday evenings on sequence. This was called the Bruisvat house chamber college. Moreover in Amsterdam in child nursery of Bartele, in Bergen and in Almen courses and workshops have been organised by Nicolaas, where more and more foreign guests were invited to research together in their field of action.
Meanwhile the lien of cooperation around Bruisvat has been stopped because of internal disaccordances
Now the Jaspis School has found its base in the Rune Workshop in Meppel, NL, where rooms are suited for small educational groups. This is a point of focus, the educations and courses are given on request in Central, South and West Eurupe and the US.

Fjodor gifts can be applied to support these activities, and can give the Jaspis Schjool a broader basis. There is a search for the school as a stronger basis, e.g. in a school building with a good garden.

I.2. Jaspis schooling courses

Here it concerns a conjugation of courses to get in contact by means of the inner- and the outside world with the life world and the there living beings, and with the worlds of soul and spirit which work through these. For the interpretation of this, see the Jaspis page. Now the courses are mainly given by Nicolaas de Jong, but in Amsterdam Ezrah Bakker managed some time an open workshop with these methods, and in Zutphen Elbert Slikkerveer still does. Evelien Nijeboer has done an open workshop with Nicolaas some years in Amsterdam, and develops these methods now further in communal singing (the choir Via Natura) and in painting methods (workshop Nijeboer). In Mook Janna Verveer incorporates the clay modelling methods in her artistic-therapeutic occupations. In Switzerland Regula Berger connects the sonic phenomenological methods with the Werbecksinging methods.

The course fee for this are kept low, so that the threshold is low. With Fjodor gifts the courseleaders can get a broader financial scope to be able do further research.

I.3. The Education ‘Practical Astrosophy; Working with the Life World’

This training starts in September 2004 for the first time. Also here the course fee has been kept low.
Fjodor gifts can facilitate the facilities for that purpose.

I.4. Improvements of the expenditure of Rune books + translations in English and German

The book `Artistic Experiencingmethod on theBbasis of Communal Singing/ Rhythms of the Sun, Moon and Planets’ have appeared recently in an improved second edition. On `Karmic Astrosophy' and `Cosmobiology ' is still being worked. Moreover the book ‘Working with Elemental Beings’ has appeared recently; Nicolaas is busy to translate this in German. There is also a question to have ‘Esotheric Christianity up to the Present’ translated in German.
In English ‘Astrosophy and the Grail’ has already appeared, which gives an entrance to the astrosophical work to English-speaking persons. Of it already a couple of hundred copies have been sold. Here too lives a desire to have more translated. Nicolaas and Patrick are already buzy over a longer time to translate the book ‘Science Otherwise’ in English.
Two music theatre plays have already appeared in better expenditure; ‘The House and the Mother' and 'Tales around the Tree of Life’. The other three larger ones, as well as the music expenditure, still wait for improvement. The music theatre play ‘Once’ is almost finished.
In a number of anthroposofical book shops the theoretical books are for sale, furthermore in the US in the book shop of the Rudolf Steiner College in Sacramento/Fair Oaks, California the book ‘Astrosophy and the Grail’.

Some sale figures:

Artistic Experiencing Method on the Basis of Communal Singing: 45
Cosmobiology: 75
Karmic Astrosophy 160
Science Otherwise 100
Esotheric Christianitie up to the Present 270
Working with the Elemental Beings 40
Astrosophy and the Grail 250
Music therapeutical applications from the horoscope 50
idem in German 70
Lyres in the gestures of the zodiacal star constellations,
sound sculptures of the planet processes 75
idem in German 60

Since it has been knocked in vain for the first three books at existing publishers, expenditure has been taken in the own hands, and joined for some years under of the activities of the Rune Workshop. Spending in own management, de Rune publications (which is now an enregistrered publishing company), has in this way its advantages and is restrictions. Advantage is that there can be published what the writer considers significant. The disadvantage that a basis capital must be there to have the books published in a profitable manner. Now must happen everything in small print numbers, demands much time because of the hand work, as a result of which the books become also more expensive than in fact necessary.
Besides is the payment of professional translators at moment out of the budget.
Yet the books do inspire many people that read these.

With Fjodor gifts can several of these occupations get a firmer basis and also get more efficiently and better being worked out. Particularly good translations are a requirement to interest abroad publishers for these books.

Some amounts to elaborate and make public some relevant books:

- The book `Working with Elemental Beings
150 manhours à € 30. – per hour € 4500
materials 50 copies € 200

- The book `Ways and Forms of Love’
350 manhours à € 30. – per hour € 10500
materials 50 copies € 450

- Improving the book ‘Cosmobiology’
25 manhours à € 30. – per hour € 750
materials 50 copies € 370

- Improving the book ‘Karmic Astrosophy’
20 manhours à € 30, - per hour € 600
materials 50 copies € 370

- Improving the book ‘Artistic Experiencing Method on the Basis of Communal Singing / Rhythms of the Sun, Moon and Planets’
20 manhours à € 30. – per hour € 600
materials 50 copies € 120

- Translation of ‘Science Otherwise’ in English
700 manhours à € 30, - per hour € 21000
materials 50 copies € 610

- Translation of ‘Esoteric Christianity up to the Present’ in German
500 manhours à € 30. – per hour € 15000
materials 50 copies € 132

- Translation of the book ‘Working with Elemental Beings’ in German
600 manhours à € 30. – per hour € 18000
materials 50 copies € 200
_______ +

€ 73402

- Promotion € 750 € 750

Music theatre:

- The book ‘Once - an ode to the hour spirits, to the colours in the atmosphere, to the elementals’
10 manhours à € 30 per hour € 300
material costs 50 copies € 125
______
+€ 425 € 425
_______ +

€ 74627

These estimates give an impression of the costs when the expenditure of some books is tackled more firmly.

Fjodor gifts should be quite welcome to this. There is also searched for subvention per book where possible. Myrtle Esajas and Syne Fonk have offered to look for requests of subvention.

I.5. Newsletter and communication page

The Fjodor newsletter will come out minimum one time per year. A vast agenda of the courses and projects stand in it, some reports of activities and projects of last year, en contentional contributions. Everyone who is minimum donor (for minimum € 25 per year), and those who have dovetailed themselves the Movement for Full Man Gestation, receive a newsletter. These are paid for from the gifts.
The communication page is a page on the internet site, where every person concerned can write down his impressions, experiences and statements, and where is also a possibility for exchange (under supervision). These are regularly renewed. Relevant contributing will appear in the newsletter.

Back to above.

____________________________

Objective art:

II.1. Music theatre group LaukaR Unja with the project ‘Once’

The music theatre group LaukaR Unja, existing of Marjan Broers, Nicolaas de Jong, Evelien Nijeboer, Elbert Slikkerveer, Patrick Steensma and Cisca van der Straaten, is busy with this projectto set it up as a music theatre play on the one hand, on the other side as a starting point for schooling weekends. To this end everyone will take for himself one of the elements from the play to develop as a workshop; the hour spirits of the day where one can live oneself into as colour moods, the colour beings in the atmosphere which one can live into by sinmging and thus approach, and the elemental beings in nature. Perception, movement and singing are closely interwoven in this play, and the methods of clay modelling help to condense the inner perceptions. As from summer 2005 this project can be performed.
There is a CD of the music in preparation. To this the recording equipment has been partially already paid from Fjodor gifts.
Nicolaas gives form to the book, Evelien and Cisca have improved the cover.

Estimated costs for project ‘Once - an ode to the hour spirits, to the colours in the atmosphere, to the elementals in nature’ of LaukaR Unja:

* Book 30 manhours à € 30 per hour € 900
* CD 50 manhours à € 30 per hour € 1500
* Performance preparation 250 manhours à € 30/ hour € 7500
______ +

€ 9900

For these costs (which have been estimated at minimum intensified) Fjodor gifts can be applied.

II.2. The choir Via Natura with songs of colour pictures in the atmosphere, the growth of trees and plants

This choir has been set up by Nicolaas de Jong in 1999. The group has had some changes and has existed since 1999. From 2000 - 2003 Evelien Nijeboer has conducted the choir, and she has especially put the choir members to examine the growth and life forces of different types of trees in an inliving way and to sing these in an improvising way. The music recordings have come about under her conduct. Moreover some times has been worked with the healing of landscape points, where particularly the colour singing has worked stimulating. .

The work in the chancel can be divided in two components, being
· the living into and singing together of plants and trees in their growth and gesture language, and
· the imagining living oneself into the colours in teamwork, from the elemental beings.

The finds can be applied and developed in projects around the year festivals more closely. It will be strived for regular performances.
At a later stage, and if wished, horoscopes are converted into music and rhythm, as reflections of the fourfolded man which expresses himself in the positions of the star constellations and planets at birth.
On the evenings some pieces of music which have arisen from living into the natural processes (of plants, weather happenings, colours in the atmosphere and nature), are being practised together.
Up to present are these:
- The sondg og magenta weaving and viridian green awakening
- Carmine clouds against a turquoise sky in the desert
- Scarlet red on indigo clouds after an autumnal sunset
- A sunset above sea in vermilionred
- The shower above the heather
- A quiet lake in the twilight with slowly approaching bird (yellow green in light violet)
- Introduction of elemental beings and plant growth in music
- Campanula
- African marigold
- Oak singing
(the colour compositions are also available in French and English)

Since the beginning of 2004 the choir has been in rest, and it waits for the extension with new members.

This project pays itself by the input of the members (€6 per evening).

II.3. Star constellations as ideals; to develop in sculptures and in the book ‘Ways and Forms of Love’

At present Nicolaas de Jong works more than two years for this project, that eventually amongst other things will take shape in a book (of which a third is already ready), and moreover in a music theatre play and sculptures of the constellations. Underway he has had to develop much to make the methods clearly, applicable and transparent.
It is a project in which he tries to make the ways more clear and accessible to the life world, where he once has observed Christ as the Son of Man, from out of our own life body and his slumbering higher talents to be transformed, so that we will be able to grow into these life worlds by ourselves. The development and testing happen in courses, workshops, in landscape work, in sculptues and musical elaborations and in the music theatre play ‘Once' within the group LaukaR Unja. In short the overall research comes down to the following. On the midnight hour between two lives on earth we perceive Christ as the full-grown Son of Man; a radiating, perfected and strongly creative being, that is being represented to us as a promise. Each time that we descend to the earth, we will be able to realise pieces of this creating being in ourselves. With our descent from our star to the earth in a next life on earth, to we come through the world of the fixed stars (outside the zodiac). That what we observe as constellations, are colonies of angels from several hierarchical orders, that each represent a piece of the divine plan of gestation for our cosmos. We incorporate of this the ideas in us – at least those constellations for which we are awake, where we have questions – and take along these at our descent to the earth through the zodiac and planetspheress. On the earth these ideas form warmth crystals which envelop us; this composure of warmth crystals is called our phantom body. These ideas of the angel worlds are in us germs for growth, and they form our ideals on the earth, which we try to realise.
To approach these constellation ideals, Nicolaas has made sculptures (of mainly clay and wax) of each of the 72 star constellations (outside the zodiac), to be able to examine how they work, what they address, what they do. The difficulty to become entirely aware of them and easy to handle howeve is that they live in the warmth, just like our ego, our spirit germ; for this reason one can not observe them directly. Our consciousness lives in the soul body, against where the ego reflects itself and in this way reaches consciousness.
When however our I descends in the soul body, there arise tones, and intervals between these; objectivations of our feelings (which form the basis for the soul body). When the ego together with the soul body with those tones in it, descends still further in the life body, there arise rhythms (wherewith the ego itself extinguishes); rhythms and tones together give when the life body links itself with the muscles in the physical body, the beginning to carry out a will intention effectively; to each movement which we make there will be a piece of symphony in advance. To this Nicolaas for years has done preparative work how this exactly goes (see amongst other things the Rune books and his articles). With the star constellations the matter is reversed. To be able to experience their workings, their place at the sky in relation to the zodiac (through which the sun, moon and planets move) has been converted into sound and rhythm. Like this the ego do is able to become conscious what are the impulsion forces and soul experiences of these, so of our ideals taken along, are. This has been already tried out some time (from 2001) in the course moral technique which is given quarterly, and appears to work directly in this way with the participants. With that a many years' piece of research is rounded off, and it can be refined now further and applied where necessary. That contains provisionally the following directions:

- The link with the birth horoscope is in theory already made, but must be refined and developed also still further. The ideals from the constellations which one has taken along from the spiritual world stand perpendicular with respect to the ecliptica (the orbit of the earth and the sun) above and under the planets which mediate them in us, that stand in the zodiac. We take along these planets as organ processes, which in us one regulate and send the life processes, with in it the willing germs. More refined developing how the ideals work through the different organ processes is a next research. This will happen through more specific ‘fine tuning’ of organ rhythms, originating from the constellations by the planet workings, and the modelling out of a range of inner experiences in clay.
- Each continent has central mystery place and landscape point where the forces of a specific planet process stream in. In Europe this is Jupiter. The zodiacal star constellation(s) that is mediateb by this planet and therefore on the earth, is important for that continent. And the constellations north and south of these zodiacal star constellations therefore also. The peoples of a continent specifically will represent these constellation qualities as ideals. The Howabouts of this still is a barren land, but will be able to clear up a lot concerning the different tasks of the peoples, and their mutual relations and way of cooperation. A starting point forms the psychology of the peoples, started by Willem Zeylmans. In the meantime landscape work has been already performed around an important Jupiter inflow point for West and in the middle of Europe, and on two important centres in the US.
- At this moment it is tried to activate some of the ideas of Nicola Tesla, where he himself has taken distance of for moral considerations. That means that one tries let vibrate the earth in a regular tetraedron, using strong electromagnetic forces from the stratosphere. With that the earth becomes more mechanically, and it will be more difficult accessible for the spiritual world and the inspirations from there. It is a plan if this has become more clear, to treat several of those important mystery places, which are always important landscape points, as such with landscape work, that the for that spot specific constellations can function also. This prevents a too large motorisation. Moreover Nicolaas de Jong and Patrick Steensma will also try to let the most important cultural representatives of the surrounding peoples know about this work and to convince them of the importance, so that they can choose for themselves to maintain the matter in the life world by themselves or nor. This work will confiscate of course several years.
- Because the ideals have tot do with our slumbering forces of the son of man, in this sound and rhythm study also lays a strong link to moral technique by means of sound conduct, such as the ancients still could apply (think of the construction of the egyptian pyramids by means of sound, or the fall of the walls of Jericho because the Jews made noise in a specific manner). That is an area in which we want to develop sound and form research, particularly in the musical instruments and sound scultpures from the Rune workshop, and further more in courses.

For this project that covers more years, also Fjodor gifts can be applied. It is something that partially belongs with the E team, to the extend that it concerns landscape healing projects.

II.4. Lyres from the zodiacal constellation gestures

Within the Rune workshop there have been developed string instruments (lyre, violin, cello, guitar) to investigate the sound spaces star image-Word sounds at new and to have these resound in the audible space. These instruments have the gestures of the zodiacal star constellations, which cause the consonant sounds, as operative principles worked into their construction.
Moreover sound sculptures have been developed in those species of wood which belong to specific planets, in order to investigate the vowel sounds which are being provoked by the planets. The results of this are being applied in other instruments as sound colourings.
Through the inner sound spaces of these music instruments it is tried to have resounded the cosmic Word. The fysical manifested world, as well as man, can be experienced as in a form coagulated sound, which has been filled up with substances. An image of this one can form himself when finely grained litter is being spread out on a flat surface and in the space above it one lets hear music or sound. The fine grains then will tend to arrange themselves after the air that is brought in vibration, and pile up themselves at places where the air moves lest. Here recognizable forms condense, often with a geometrical ground pattern. One can recognise the order, as well as the sense of the forms in which they are being ordered. Not however the How and Why; to this end one must develop more refines soul senses within oneself, which with most of the people still slumber.
One can accelerate the development of these soul sense organs by inverting this process. One then tries to imagine oneself innerly which form will be produced by a specifically desired sound. Then with the innerly imagined form as a question one tries to direct oneself towards a material in which this can be carried out on its best; which would want to carry this form. The experience has learned that particularly wood has this quality, because it carries as well within itself the coagulated formative force out of sound. Moreover it has little sound of its own because of its relative softness, in comparison with for example ceramics, stone or metal. In the Rune instruments specific types of wood are being selected in which the sound form can be worked out. This can become a sound sculpture or a tring instrument (or both in one). Ultimately one can review if the imaginated sound is really produced by the form, or that one has to change it still. With that one tests the perception to the inner living language, and has possibilities to become aware of the own formative forces, clear for the consciousness, that is caused by specific more refined soul qualities; one develops the slumbering soulk sense organs already mentioned.
With t his one can make a contribution to the development and realisation of music instruments which make again the connection of earthly-audible music to one that is grafted on the spirit, from what lives there as sound and formative forces in the own being.
Of the 12 star image constellations there are diatonic implementations as prototypes available. To these still much can be improved. At this moment from Aries, Scorpion and Waterman there are lyres in chromatic implementation available; of Taurus, Cancer, Leo and Fishes also prototypes have been made, but sold.
There is a brochure in English available. The contexts of the lyres in the gestures of the zodiacal star constellations have been described in the book ‘Lyres in the form gestures of the zodiacal star images, sound sculptures of the planet processes’ (available in Dutch and in German).

Costs for the improvement of the diatonic lyres 25 manhours à € 30 per hour € 750
Costs per chromatic lyre: € 2000. For the 12 lyres € 24000
Promotion costs (brochures, advertisements) € 500
________ +

€ 25250

For this Fjodor gifts can be applied; the lyres then come under management of the foundation, and can be shown for presentations.

II.5. The developing of planet dances and mantrical texts

The planet dances attempt to bring the participants in contact with the realities and beings which live in and work out of the concerned planet spheres. This from ones own inner connection, by means of organs and lotus flowers which are each a precipitation of a specific planet sphere. The texts and music have been written out of astrophonical elements to this end; the participants can make gestures which they find appropriate to this. There is an outside circle, where the participants portray the cosmic workings towards the earth, and an inner circle, representing the people on the earth, where the participants find answers in gestures to these cosmic workings. The dance is an interweaving of both movements to each other. Each time after a serial workings, the gestures which one makes, are being modelled out in clay, and one learns these gestures to the other participants by show it in dance and movement.
There have already been realised and performed two planet dance; the moon dance and the Mercury dance. The Venus dance is in preparation.
The mantrical texts are in development, whenever inner processes need to be further deepened. As an example, in order to come in contact with different types od elemental beings, there have been developed several rhythmical texts (included in ‘Working with Elemental Beings), for the work in the sublitteral spheres likewise. Moreover there are sayings and music which gives form and direction to a dance from the petals of the lotus flowers. Of this still the accompaniment has to be realised.
Further projects are in development, like for the workings of the separate constellations (outside the
zodiac).

These texts and music fall eventually under the Movement for Full Man Gestation, and can be paid for from the money which is generated by the participants.

Back to above.
_________________________________

Moral techniques:

III.1. The management collective; coaching, mediation, organisation training

Within the cooperation bond there are three lawyers and a B.D. biologist. Of it one has a coaching training, and two a mediation training. They want to join their forces to set up individual and organisation trainings within companies, from a spiritual angle and out of the already developed social-organisational skills (the sevenfoldedness), as a context and the clay modelling as a working method. The preparatory work for that purpose is being done by Patrick Steensma and Myrtle Esajas.

III.2. The development rhythmically forging

When the rhythm feets which coincide with the elements and the houses of the horoscope as reflections of parts of our life bodies, are applied in forging as rhythms with which is being hammered, in the iron the form tendencies arise which are proper to the elements. An earth rhythm consolidates, locks up the form and warmth, a fire rhythm makes the iron flatten and shooting out fast, an air rhythm gives especially beautiful colourings to the cooling down iron at forging, and a water rhythm gives plastic forces along with the iron. This work has initially started from a cooperation between Feico Hajonides and Nicolaas de Jong in the workshop Amiel at Zutphen, and it is now continued by Elbert Slikkerveer in its monthly courses rythmically forging at Almen (close to Zutphen). There is a forgery outside, that works with minimum resources (one anvil and four pieces of trainrail).
There is still much research needed before the rhythmic methods can be applied also really in forges and the industry.

For this Fjodor gifts can be applied.

III.3. Landscape healing (the E team)

From the courses ‘Sonic and form phenomenology of colours and landscapes’ a group of participants in changing composition has arisen which started up landscape healing projects in different countries. Thus it has been worked in the Amserdam forest, on Ameland (an island in the north of the Netherlands), in Almen and in Warnsveld (close to Zutphen). Abroad in Verdun (France), on the former battle field of the 1st World War, in the middle of Germany at the Externsteine, in south Poland in Auschwitz, the well-known concentration camp, in Austria in Vienna, in Switzerland in Gwatt close to Thun, and in West Germany in Heinsberg in connection with Odiliënberg in the Netherlands. In the US in Sacramento. Moreover there has been worked during the solar eclipse in 1999 by several groups in the US, United Kingdom, The Netherlands and Germany, so that each group on the same time has worked with the sublitteral spheres to reduce the negative workings which assumed this solar eclipse. On Sicily also some participants have worked on the former citadel of Klingsor. In New York on Ground Zero some participants have put down novice work, likewise at the building of the UN; in Prague a start has been made.
All these treated landscape points have been connected with a network of soul- and life forces.
There are different project planned in Holland and foreign countries, also in connection with the goals mentioned with the star constellations as ideals.
For work with landscape beings a question must be waited for firstly of elemental beings or from people who have to do with it. Working out of oneself generally has a somewhat binding character. The aim namely is to set op cooperation bonds in dialogue with the elemental beings, where the development of both, man and elemental being, is an important item.

The projects are unsubsidised. From Fjodor gifts it will be possible that a part of the cost for travel and stay is paid.

III.4. Development of an engine which runs on etheric forces

After having held schooling projects on a regular basis around the star images as ideal forces and the moral gestures the participants had to make to get these realised, this project has been deepened further and expanded to research in the moral forces which cause energy and propelling force on the Earth. To get this more concrete, there is now a search for how to direct this energy out of moral gestures, and translate these into more common forms of energy, so that we can make it applicable in for instance a car. This demands many manhours of searching, making, shaping, learning again from the mistakes etc.
This project is executed without support. Material costs are still low, but with further results there will be searched for partners that can do the technical refinements in the applications. That will bring along many costs and investments.

III.5. The building Widarhalla

This building brings to an expresssion the forces which live in the son of man, the transformed life body of people. Initiator is Nicolaas de Jong, who designed the main lines for the building (there are construction drawings and a maquette in wood, metal and wax). Together with Fjodor members and other project- and course participants there has already been developed several components within the building. It is eventually the intention that the building in its forms and gestures becomes precipitation for the developments of the forces of the son of man which bring to an expression the schooling methods and routes in development.
Realisation of this is just over considerable time possible. The plans lie there however already.

For more information, see under Runework the Building.

Realisation:

- Building Widarhalla - construction drawings 70 manhours à € 30. – per hour € 2100
For this aimed subvention can be requested.

- Budget realisation Fjodorgebouw Widarhalla 25 millions euro.
This is something for the future, and only when there will be enough interest.

Back to above.

Donations: see under support

Projects